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<title>Tag #intimité — David Larlet</title>
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<header>
  <h1>Publications relatives au tag #intimité</h1>
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  <p>Les plus récentes en premier, les 3 premières sont dépliées et ensuite c’est à la demande, bonne exploration !</p>
  
    <h2><a href="/david/2023/06/06/" title="Lien permanent vers cet article">Réponse(s)</a> (2023-06-06)</h2>
    
      
<blockquote>
<p>The structures of our network commons have concentrated our responses to the forces already pressing against our livelihoods and children and futures. Within their engagement-optimized interfaces, we’ve built ourselves into a standing wave: Abusive posts became network-wide events that require a response not only from moderating authorities, but from every&nbsp;user.</p>
<p>In this machine, silence transmutes to approval of the worst thing happening; via entirely real human needs for signals of safety and support, continuous attention and engagement become mandatory. Simply bad posts are opportunities for demonstrations of prowess. People we agree with become footholds for demonstrating all the subtle ways in which they don’t quite&nbsp;understand.</p>
<p>[…]</p>
<p><mark>Here in my body, I want to be more human in service of a less painfully haunted world.</mark> I want ways of being together that let us pay our respects and build different kinds of power. I want to practice being&nbsp;free.</p>
<p><cite><em><a href="https://erinkissane.com/tomorrow-and-tomorrow-and-tomorrow">Erin Kissane</a></em>&nbsp;(<a href="/david/cache/2023/62bf3ce6ef66e39b7f250a6123d92e66/">cache</a>)</cite></p>
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<p>J’étais ceux que je&nbsp;suis.</p>
<p>Je me retrouve de moins en moins sur des plateformes d’échanges instantanés —&nbsp;fussent-elles libres. Cela me confirme que mon problème n’est pas dans l’outil mais dans la qualité des&nbsp;interactions.</p>
<p>J’ai fait un atelier où j’ai dû dire à des personnes que j’estime à voix haute que j’étais profondément injuste et que j’étais OK avec ça. C’était difficile et je n’en mesure pas encore toutes les&nbsp;conséquences.</p>
<p>La résilience de mon vélo passe par ma capacité à le réparer. Avec des <em>tubeless</em> je me sens moins à l’aise, trop d’outillage devient nécessaire pour pallier un confort&nbsp;relatif.</p>
<p>Dans ces moments de repli, la photographie et la poésie (re)prennent une place importance. J’aimerais en accorder plus au dessin et à la musique mais le plaisir semble encore être trop&nbsp;éloigné.</p>
<p>Je me demande parfois si la publication sur le web n’est pas un de mes privilèges de&nbsp;plus.</p>
<p>Je deviens ce que je ne suis&nbsp;plus.</p>

    
    <h2><a href="/david/2023/02/01/" title="Lien permanent vers cet article">Ombres</a> (2023-02-01)</h2>
    
      
<blockquote lang="en">
<p>I’m not a film buff, so I write this from a layman’s perspective. But every time I watch something made before 2000, it looks so beautiful to me—not otherworldly or majestic, but <mark>beautiful in the way the world around me is beautiful.</mark> And I don’t think I’m just being nostalgic. […]</p>
<p>Most usefully, their hollowness offers, by way of counter-example, a key to what does feel meaningful: texture, substance, imperfection, slowing down, taking the scenic route, natural light, places you can touch, making more considered creative choices, making <em>less</em>.</p>
<p><cite><em><a href="https://haleynahman.substack.com/p/132-the-contagious-visual-blandness">#132: The contagious visual blandness of Netflix</a></em>&nbsp;(<a href="/david/cache/2023/4d3fa4020fd0504dbced1a408a2d394e/">cache</a>)</cite></p>
</blockquote>
<p>C’est une chose que j’ai remarqué aussi et l’essai de Robin Rendle à ce sujet <a href="https://www.robinrendle.com/essays/in-praise-of-shadows/">In Praise of Shadows</a>&nbsp;(<a href="/david/cache/2023/055ec9ce09151d35309f39b824189c61/">cache</a>) m’avait particulièrement touché cet&nbsp;été.</p>
<p>Les iPhones, au fil des versions, font de «&nbsp;magnifiques&nbsp;» photographies par exemple mais ce qui est capté de la scène est faible comparé à ce qui est fait en post-acquisition pour qu’elles <em>semblent</em> magnifiquement nettes et contrastées etc. Et ce n’est qu’un début, l’apprentissage et des algorithmes encore plus avancés permettront de rendre chaque photo plus… parfaite dans la négation de son&nbsp;authenticité.</p>
<p>Ma bibliothèque dans macOS Photos (iPhone) ressemble à un magazine, à une façon que d’autres ont choisi pour représenter le monde. Celle qui est dans RAW Power (DSLR) est plus modeste mais correspond davantage aux façons dont <em>j’ai</em> envie d’observer et de partager le&nbsp;monde.</p>
<p>À force de regarder des séries à l’image parfaite, on se met peut-être à fuir la réalité d’un monde qui nous semble hideux dans ses imperfections et ses zones&nbsp;d’ombres.</p>
<p><em>J’imagine que c’est une réflexion de vieux et que les personnes faisant de l’argentique avaient les mêmes arguments il y a quelques années. J’assume&nbsp;(presque).</em></p>
<hr />

<blockquote lang="en">
<p>😔 We found that GitHub, GitLab, SourceForge, and Bitbucket were collectively linked to 160&nbsp;times in 2007&nbsp;and 76,746&nbsp;times in 2021. In 2021, <mark>one out of five publications in the arXiv corpus included a URI to GitHub.</mark> The complexity of GHPs like GitHub is not amenable to conventional Web archiving techniques. Therefore, the growing use of GHPs in scholarly publications points to an urgent and growing need for dedicated efforts to archive their holdings in order to preserve research code and its scholarly&nbsp;ephemera.</p>
<p><cite><em><a href="https://arxiv.org/abs/2208.04895">The Rise of GitHub in Scholarly Publications</a></em>&nbsp;(<a href="/david/cache/2023/57fcca8aa6194cb2840d1dea002cb59b/">cache</a>)</cite></p>
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