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  12. <title>Tag #photographie — David Larlet</title>
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  59. <h1>Publications relatives au tag #photographie</h1>
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  73. <p>Les plus récentes en premier, les 3 premières sont dépliées et ensuite c’est à la demande, bonne exploration !</p>
  74. <h2><a href="/david/2023/02/01/" title="Lien permanent vers cet article">Ombres</a> (2023-02-01)</h2>
  75. <blockquote lang="en">
  76. <p>I’m not a film buff, so I write this from a layman’s perspective. But every time I watch something made before 2000, it looks so beautiful to me—not otherworldly or majestic, but <mark>beautiful in the way the world around me is beautiful.</mark> And I don’t think I’m just being nostalgic. […]</p>
  77. <p>Most usefully, their hollowness offers, by way of counter-example, a key to what does feel meaningful: texture, substance, imperfection, slowing down, taking the scenic route, natural light, places you can touch, making more considered creative choices, making <em>less</em>.</p>
  78. <p><cite><em><a href="https://haleynahman.substack.com/p/132-the-contagious-visual-blandness">#132: The contagious visual blandness of Netflix</a></em>&nbsp;(<a href="/david/cache/2023/4d3fa4020fd0504dbced1a408a2d394e/">cache</a>)</cite></p>
  79. </blockquote>
  80. <p>C’est une chose que j’ai remarqué aussi et l’essai de Robin Rendle à ce sujet <a href="https://www.robinrendle.com/essays/in-praise-of-shadows/">In Praise of Shadows</a>&nbsp;(<a href="/david/cache/2023/055ec9ce09151d35309f39b824189c61/">cache</a>) m’avait particulièrement touché cet&nbsp;été.</p>
  81. <p>Les iPhones, au fil des versions, font de «&nbsp;magnifiques&nbsp;» photographies par exemple mais ce qui est capté de la scène est faible comparé à ce qui est fait en post-acquisition pour qu’elles <em>semblent</em> magnifiquement nettes et contrastées etc. Et ce n’est qu’un début, l’apprentissage et des algorithmes encore plus avancés permettront de rendre chaque photo plus… parfaite dans la négation de son&nbsp;authenticité.</p>
  82. <p>Ma bibliothèque dans macOS Photos (iPhone) ressemble à un magazine, à une façon que d’autres ont choisi pour représenter le monde. Celle qui est dans RAW Power (DSLR) est plus modeste mais correspond davantage aux façons dont <em>j’ai</em> envie d’observer et de partager le&nbsp;monde.</p>
  83. <p>À force de regarder des séries à l’image parfaite, on se met peut-être à fuir la réalité d’un monde qui nous semble hideux dans ses imperfections et ses zones&nbsp;d’ombres.</p>
  84. <p><em>J’imagine que c’est une réflexion de vieux et que les personnes faisant de l’argentique avaient les mêmes arguments il y a quelques années. J’assume&nbsp;(presque).</em></p>
  85. <hr />
  86. <blockquote lang="en">
  87. <p>😔 We found that GitHub, GitLab, SourceForge, and Bitbucket were collectively linked to 160&nbsp;times in 2007&nbsp;and 76,746&nbsp;times in 2021. In 2021, <mark>one out of five publications in the arXiv corpus included a URI to GitHub.</mark> The complexity of GHPs like GitHub is not amenable to conventional Web archiving techniques. Therefore, the growing use of GHPs in scholarly publications points to an urgent and growing need for dedicated efforts to archive their holdings in order to preserve research code and its scholarly&nbsp;ephemera.</p>
  88. <p><cite><em><a href="https://arxiv.org/abs/2208.04895">The Rise of GitHub in Scholarly Publications</a></em>&nbsp;(<a href="/david/cache/2023/57fcca8aa6194cb2840d1dea002cb59b/">cache</a>)</cite></p>
  89. </blockquote>
  90. <h2><a href="/david/2023/01/06/" title="Lien permanent vers cet article">Toile</a> (2023-01-06)</h2>
  91. <blockquote lang="en">
  92. <p>I realised when I think of something it doesn’t exist as a single entity. A thought is linked to a million other thoughts, to the past and to the future. I remember too much, relate too much, <mark>connect too much,</mark> and I project too much. I thought this was “normal” until I met my partner. She doesn’t think much about the future or the past – she’s a much happier person compared to&nbsp;me.</p>
  93. <p><cite><em><a href="https://winnielim.org/journal/my-mind-is-full-of-webs/">my mind is full of webs</a></em>&nbsp;(<a href="/david/cache/2023/e1a26da20c603d214d0f844d5836569e/">cache</a>)</cite></p>
  94. </blockquote>
  95. <p>Il y a tellement de choses qui me font réagir (ré-penser plutôt&#8239;?) dans les écrits de Winnie Lim. Elle joue toujours avec la corde sensible qui crée un lien à la fois fragile et pourtant si résistant, je me l’imagine comme un fil de toile d’araignée entre nous. Difficile à décrire et pas forcément réciproque. De temps en temps, je m’aventure dessus et je vais me désaltérer de quelques gouttes de rosée. Je suis reconnaissant de ces partages qui viennent alimenter mes propres&nbsp;réflexions.</p>
  96. <blockquote lang="en">
  97. <p>But I do not want my webs to be truncated or forgotten. <mark>I do not wish to forget,</mark> or I wouldn’t have become obsessed with archival. I like noticing and preserving the connections. They become opportunities for learning and becoming, if I manage to detach enough from&nbsp;them.</p>
  98. <p><cite><em>Ibid.</em></cite></p>
  99. </blockquote>
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  108. loading="lazy" width="3024" height="4032" />
  109. </a>
  110. <figcaption>Parc Louis-Hébert, Montréal, 2 novembre&nbsp;2022.</figcaption>
  111. </figure>
  112. <details>
  113. <summary>Et pendant ce temps là de l’autre côté de la rue&nbsp;:</summary>
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  117. <img src="/static/david/2023/2023-01-06-toile-soleil.jpg" alt="Un parc pour enfant à contre-jour avec le soleil qui se lève dans le brouillard et qui forme une jolie étoile"
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  121. <img src="/static/david/2023/2023-01-06-toile-soleil.jpg" alt="Un parc pour enfant à contre-jour avec le soleil qui se lève dans le brouillard et qui forme une jolie étoile"
  122. loading="lazy" width="4032" height="3024" />
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