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  <h1>Ennui</h1>
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 <blockquote lang="en">
 <p>There’s a quote from a writer that has rattled around in my head for years (although I have never been able to source it, leading me to wonder if I accidentally made it up), but it went something like, “I only need a half hour a day to write. But I have to wait around an awful long time for that half hour to show up.” I think about this all the time—that the actual amount of time spent in doing something creative (writing, designing, making music, whathaveyou) is often buffered by hours and hours on either side by real—sometimes pleasant, sometimes&nbsp;infuriating—boredom.</p>
 <p>[…] That is, not merely an absence of doing, but a not-doing so complete it doesn’t stimulate, and it doesn’t heal. It merely waits—patiently or otherwise—for an arrival. <mark>I fear we have forgotten how to&nbsp;wait.</mark></p>
 <p><cite><em><a href="https://aworkinglibrary.com/writing/tolerance-for-boredom">Tolerance for boredom</a></em>&nbsp;(<a href="/david/cache/2023/ae079737f65e55da1d7a672b3a685b46/">cache</a>)</cite></p>
 </blockquote>
 <p>C’est l’une des choses que je trouve être la plus difficile à transmettre en tant que parent. Accepter que l’on a du temps devant soi et qu’il est possible et sain de ne «&nbsp;rien faire&nbsp;» pendant une période plus ou moins longue. Ce qui est complexe, c’est cet apprentissage de l’alternance entre des périodes d’activités <em>intentionnelles</em> et celles qui sont induites par ce qui semble être —&nbsp;à première vue&nbsp;— de&nbsp;l’inactivité.</p>
 <p>Compenser de l’hyper-activité par de la sur-activité est une voie qui semble naturelle mais qui ne <em>me</em> parait pas être soutenable et/ou enviable sur du long&nbsp;terme.</p>
 <p>La difficulté vient peut-être du fait qu’il n’est pas facile de montrer l’ennui à partir du moment où la demande d’attention (externe) vient interrompre de fait cette&nbsp;période…</p>
 <hr />
 <p>Pensée du&nbsp;jour&nbsp;:</p>

 <blockquote>
 <p>Ce monde sera plus terne lorsqu’il n’y aura plus de&nbsp;neige.</p>
 </blockquote>
 <hr />

 <blockquote lang="en">
 <p>His wildly popular “Last Child in the Woods: Saving Our Children From Nature-Deficit Disorder” includes evidence that exposure to nature is essential not just to children’s mental and physical health, but to everyone’s. Adults are just as susceptible to a “Vitamin N” deficiency he explains in his more recent “The Nature Principle: Reconnecting with Life in a Virtual Age.” I asked him about my writing-outside&nbsp;theory.</p>
 <p>“It’s likely you find it easier to write outside not only because of nature’s direct impact, but because of the absence of so many distractions, most of them technological.” says Mr. Louv, who also finds his writing better when he does it by a lake or in the woods. “The info-blitzkrieg has spawned a new field called ‘interruption science’ and a newly minted condition: continuous partial attention.” Constant electronic intrusions, he says, leave anyone trying to work frustrated, stressed and certainly less&nbsp;creative.</p>
 <p><cite><em><a href="https://archive.nytimes.com/opinionator.blogs.nytimes.com/2013/09/16/time-to-write-go-outside/">Time to Write? Go Outside</a></em>&nbsp;(<a href="/david/cache/2023/300b9aa899d44f7606a8448991e2acfd/">cache</a>)</cite></p>
 </blockquote>


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--- a/david/2023/_sources/2023-01-31
+++ b/david/2023/_sources/2023-01-31
@@ -0,0 +1,29 @@
 # Ennui

 > [en] There’s a quote from a writer that has rattled around in my head for years (although I have never been able to source it, leading me to wonder if I accidentally made it up), but it went something like, “I only need a half hour a day to write. But I have to wait around an awful long time for that half hour to show up.” I think about this all the time—that the actual amount of time spent in doing something creative (writing, designing, making music, whathaveyou) is often buffered by hours and hours on either side by real—sometimes pleasant, sometimes infuriating—boredom.
 > 
 > […] That is, not merely an absence of doing, but a not-doing so complete it doesn’t stimulate, and it doesn’t heal. It merely waits—patiently or otherwise—for an arrival. ==I fear we have forgotten how to wait.==
 >
 > <cite>*[Tolerance for boredom](https://aworkinglibrary.com/writing/tolerance-for-boredom)* ([cache](/david/cache/2023/ae079737f65e55da1d7a672b3a685b46/))</cite>

 C’est l’une des choses que je trouve être la plus difficile à transmettre en tant que parent. Accepter que l’on a du temps devant soi et qu’il est possible et sain de ne « rien faire » pendant une période plus ou moins longue. Ce qui est complexe, c’est cet apprentissage de l’alternance entre des périodes d’activités _intentionnelles_ et celles qui sont induites par ce qui semble être — à première vue — de l’inactivité.

 Compenser de l’hyper-activité par de la sur-activité est une voie qui semble naturelle mais qui ne _me_ parait pas être soutenable et/ou enviable sur du long terme.

 La difficulté vient peut-être du fait qu’il n’est pas facile de montrer l’ennui à partir du moment où la demande d’attention (externe) vient interrompre de fait cette période…

 ---

 Pensée du jour :

 > Ce monde sera plus terne lorsqu’il n’y aura plus de neige.

 ---

 > [en] His wildly popular “Last Child in the Woods: Saving Our Children From Nature-Deficit Disorder” includes evidence that exposure to nature is essential not just to children’s mental and physical health, but to everyone’s. Adults are just as susceptible to a “Vitamin N” deficiency he explains in his more recent “The Nature Principle: Reconnecting with Life in a Virtual Age.” I asked him about my writing-outside theory.
 >
 > “It’s likely you find it easier to write outside not only because of nature’s direct impact, but because of the absence of so many distractions, most of them technological.” says Mr. Louv, who also finds his writing better when he does it by a lake or in the woods. “The info-blitzkrieg has spawned a new field called ‘interruption science’ and a newly minted condition: continuous partial attention.” Constant electronic intrusions, he says, leave anyone trying to work frustrated, stressed and certainly less creative.
 > 
 > <cite>*[Time to Write? Go Outside](https://archive.nytimes.com/opinionator.blogs.nytimes.com/2013/09/16/time-to-write-go-outside/)* ([cache](/david/cache/2023/300b9aa899d44f7606a8448991e2acfd/))</cite>

 #accompagnement #complexité #parentalité
--- a/david/2023/accompagnement/index.html
+++ b/david/2023/accompagnement/index.html
@@ -76,6 +76,35 @@
 <main>
  <p>Les plus récentes en premier, les 3 premières sont dépliées et ensuite c’est à la demande, bonne exploration !</p>
  
    <h2><a href="/david/2023/01/31/" title="Lien permanent vers cet article">Ennui</a> (2023-01-31)</h2>
    
      

 <blockquote lang="en">
 <p>There’s a quote from a writer that has rattled around in my head for years (although I have never been able to source it, leading me to wonder if I accidentally made it up), but it went something like, “I only need a half hour a day to write. But I have to wait around an awful long time for that half hour to show up.” I think about this all the time—that the actual amount of time spent in doing something creative (writing, designing, making music, whathaveyou) is often buffered by hours and hours on either side by real—sometimes pleasant, sometimes&nbsp;infuriating—boredom.</p>
 <p>[…] That is, not merely an absence of doing, but a not-doing so complete it doesn’t stimulate, and it doesn’t heal. It merely waits—patiently or otherwise—for an arrival. <mark>I fear we have forgotten how to&nbsp;wait.</mark></p>
 <p><cite><em><a href="https://aworkinglibrary.com/writing/tolerance-for-boredom">Tolerance for boredom</a></em>&nbsp;(<a href="/david/cache/2023/ae079737f65e55da1d7a672b3a685b46/">cache</a>)</cite></p>
 </blockquote>
 <p>C’est l’une des choses que je trouve être la plus difficile à transmettre en tant que parent. Accepter que l’on a du temps devant soi et qu’il est possible et sain de ne «&nbsp;rien faire&nbsp;» pendant une période plus ou moins longue. Ce qui est complexe, c’est cet apprentissage de l’alternance entre des périodes d’activités <em>intentionnelles</em> et celles qui sont induites par ce qui semble être —&nbsp;à première vue&nbsp;— de&nbsp;l’inactivité.</p>
 <p>Compenser de l’hyper-activité par de la sur-activité est une voie qui semble naturelle mais qui ne <em>me</em> parait pas être soutenable et/ou enviable sur du long&nbsp;terme.</p>
 <p>La difficulté vient peut-être du fait qu’il n’est pas facile de montrer l’ennui à partir du moment où la demande d’attention (externe) vient interrompre de fait cette&nbsp;période…</p>
 <hr />
 <p>Pensée du&nbsp;jour&nbsp;:</p>

 <blockquote>
 <p>Ce monde sera plus terne lorsqu’il n’y aura plus de&nbsp;neige.</p>
 </blockquote>
 <hr />

 <blockquote lang="en">
 <p>His wildly popular “Last Child in the Woods: Saving Our Children From Nature-Deficit Disorder” includes evidence that exposure to nature is essential not just to children’s mental and physical health, but to everyone’s. Adults are just as susceptible to a “Vitamin N” deficiency he explains in his more recent “The Nature Principle: Reconnecting with Life in a Virtual Age.” I asked him about my writing-outside&nbsp;theory.</p>
 <p>“It’s likely you find it easier to write outside not only because of nature’s direct impact, but because of the absence of so many distractions, most of them technological.” says Mr. Louv, who also finds his writing better when he does it by a lake or in the woods. “The info-blitzkrieg has spawned a new field called ‘interruption science’ and a newly minted condition: continuous partial attention.” Constant electronic intrusions, he says, leave anyone trying to work frustrated, stressed and certainly less&nbsp;creative.</p>
 <p><cite><em><a href="https://archive.nytimes.com/opinionator.blogs.nytimes.com/2013/09/16/time-to-write-go-outside/">Time to Write? Go Outside</a></em>&nbsp;(<a href="/david/cache/2023/300b9aa899d44f7606a8448991e2acfd/">cache</a>)</cite></p>
 </blockquote>

    

  
    <h2><a href="/david/2023/01/30/" title="Lien permanent vers cet article">Lecture</a> (2023-01-30)</h2>
    
      
@@ -126,7 +155,9 @@ Mais il est terminé, et c’est le plus&nbsp;important.</p>
  
    <h2><a href="/david/2023/01/10/" title="Lien permanent vers cet article">Qualité</a> (2023-01-10)</h2>
    
      
      <details>
        <summary>Déplier pour lire le contenu de la publication</summary>
        

 <blockquote>
 <p>Quiconque cherche à circonscrire une discipline en lui imposant un cadre ne cherche généralement qu’à protéger son œuvre, et il le fait en perpétuant les standards qui ont permis son émergence. Celui-ci essaie de convaincre les générations à venir qu’elles doivent suivre les règles qu’il a édictées si elles comptent parvenir à l’excellence. Mais, comme disait Charles Bukowski, «&nbsp;il est quatre heures et demie du matin, il sera toujours quatre heures et demie du&nbsp;matin…&nbsp;».</p>
@@ -161,6 +192,7 @@ Mais il est terminé, et c’est le plus&nbsp;important.</p>
 <p><cite><em><a href="https://gomakethings.com/you-dont-have-to-remember-everything-to-be-a-good-programmer/">You don’t have to remember everything to be a good programmer</a></em>&nbsp;(<a href="/david/cache/2023/2f4b8ec8f6fd2cbc48a04dcac2cc7d24/">cache</a>)</cite></p>
 </blockquote>

      </details>
    

  
--- a/david/2023/complexite/index.html
+++ b/david/2023/complexite/index.html
@@ -76,6 +76,35 @@
 <main>
  <p>Les plus récentes en premier, les 3 premières sont dépliées et ensuite c’est à la demande, bonne exploration !</p>
  
    <h2><a href="/david/2023/01/31/" title="Lien permanent vers cet article">Ennui</a> (2023-01-31)</h2>
    
      

 <blockquote lang="en">
 <p>There’s a quote from a writer that has rattled around in my head for years (although I have never been able to source it, leading me to wonder if I accidentally made it up), but it went something like, “I only need a half hour a day to write. But I have to wait around an awful long time for that half hour to show up.” I think about this all the time—that the actual amount of time spent in doing something creative (writing, designing, making music, whathaveyou) is often buffered by hours and hours on either side by real—sometimes pleasant, sometimes&nbsp;infuriating—boredom.</p>
 <p>[…] That is, not merely an absence of doing, but a not-doing so complete it doesn’t stimulate, and it doesn’t heal. It merely waits—patiently or otherwise—for an arrival. <mark>I fear we have forgotten how to&nbsp;wait.</mark></p>
 <p><cite><em><a href="https://aworkinglibrary.com/writing/tolerance-for-boredom">Tolerance for boredom</a></em>&nbsp;(<a href="/david/cache/2023/ae079737f65e55da1d7a672b3a685b46/">cache</a>)</cite></p>
 </blockquote>
 <p>C’est l’une des choses que je trouve être la plus difficile à transmettre en tant que parent. Accepter que l’on a du temps devant soi et qu’il est possible et sain de ne «&nbsp;rien faire&nbsp;» pendant une période plus ou moins longue. Ce qui est complexe, c’est cet apprentissage de l’alternance entre des périodes d’activités <em>intentionnelles</em> et celles qui sont induites par ce qui semble être —&nbsp;à première vue&nbsp;— de&nbsp;l’inactivité.</p>
 <p>Compenser de l’hyper-activité par de la sur-activité est une voie qui semble naturelle mais qui ne <em>me</em> parait pas être soutenable et/ou enviable sur du long&nbsp;terme.</p>
 <p>La difficulté vient peut-être du fait qu’il n’est pas facile de montrer l’ennui à partir du moment où la demande d’attention (externe) vient interrompre de fait cette&nbsp;période…</p>
 <hr />
 <p>Pensée du&nbsp;jour&nbsp;:</p>

 <blockquote>
 <p>Ce monde sera plus terne lorsqu’il n’y aura plus de&nbsp;neige.</p>
 </blockquote>
 <hr />

 <blockquote lang="en">
 <p>His wildly popular “Last Child in the Woods: Saving Our Children From Nature-Deficit Disorder” includes evidence that exposure to nature is essential not just to children’s mental and physical health, but to everyone’s. Adults are just as susceptible to a “Vitamin N” deficiency he explains in his more recent “The Nature Principle: Reconnecting with Life in a Virtual Age.” I asked him about my writing-outside&nbsp;theory.</p>
 <p>“It’s likely you find it easier to write outside not only because of nature’s direct impact, but because of the absence of so many distractions, most of them technological.” says Mr. Louv, who also finds his writing better when he does it by a lake or in the woods. “The info-blitzkrieg has spawned a new field called ‘interruption science’ and a newly minted condition: continuous partial attention.” Constant electronic intrusions, he says, leave anyone trying to work frustrated, stressed and certainly less&nbsp;creative.</p>
 <p><cite><em><a href="https://archive.nytimes.com/opinionator.blogs.nytimes.com/2013/09/16/time-to-write-go-outside/">Time to Write? Go Outside</a></em>&nbsp;(<a href="/david/cache/2023/300b9aa899d44f7606a8448991e2acfd/">cache</a>)</cite></p>
 </blockquote>

    

  
    <h2><a href="/david/2023/01/16/" title="Lien permanent vers cet article">Chasse</a> (2023-01-16)</h2>
    
      
--- a/david/2023/index.html
+++ b/david/2023/index.html
@@ -110,7 +110,8 @@
      <a href="/david/2023/01/23/">Déception</a>, 
      <a href="/david/2023/01/24/">Capot</a>, 
      <a href="/david/2023/01/26/">Décentralisation</a>, 
      <a href="/david/2023/01/30/">Lecture</a>.
      <a href="/david/2023/01/30/">Lecture</a>, 
      <a href="/david/2023/01/31/">Ennui</a>.
      
    </p>
  
@@ -121,10 +122,10 @@
      </svg>
    </h3>
    <p>
      <a href="/david/2021/accompagnement/">#accompagnement (3)</a>
      <a href="/david/2021/accompagnement/">#accompagnement (4)</a>
      <a href="/david/2021/amadou/">#amadou (1)</a>
      <a href="/david/2021/aventure/">#aventure (5)</a>
      <a href="/david/2021/complexite/">#complexité (2)</a>
      <a href="/david/2021/complexite/">#complexité (3)</a>
      <a href="/david/2021/confiance/">#confiance (1)</a>
      <a href="/david/2021/confidentialite/">#confidentialité (2)</a>
      <a href="/david/2021/courage/">#courage (7)</a>
@@ -138,6 +139,7 @@
      <a href="/david/2021/livre/">#livre (1)</a>
      <a href="/david/2021/masque/">#masque (1)</a>
      <a href="/david/2021/mastodon/">#mastodon (1)</a>
      <a href="/david/2021/parentalite/">#parentalité (1)</a>
      <a href="/david/2021/partage/">#partage (1)</a>
      <a href="/david/2021/patriarcat/">#patriarcat (1)</a>
      <a href="/david/2021/photographie/">#photographie (1)</a>
--- a/david/2023/parentalite/index.html
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@@ -0,0 +1,239 @@
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  <h1>Publications relatives au tag #parentalité</h1>
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  <p>Les plus récentes en premier, les 3 premières sont dépliées et ensuite c’est à la demande, bonne exploration !</p>
  
    <h2><a href="/david/2023/01/31/" title="Lien permanent vers cet article">Ennui</a> (2023-01-31)</h2>
    
      

 <blockquote lang="en">
 <p>There’s a quote from a writer that has rattled around in my head for years (although I have never been able to source it, leading me to wonder if I accidentally made it up), but it went something like, “I only need a half hour a day to write. But I have to wait around an awful long time for that half hour to show up.” I think about this all the time—that the actual amount of time spent in doing something creative (writing, designing, making music, whathaveyou) is often buffered by hours and hours on either side by real—sometimes pleasant, sometimes&nbsp;infuriating—boredom.</p>
 <p>[…] That is, not merely an absence of doing, but a not-doing so complete it doesn’t stimulate, and it doesn’t heal. It merely waits—patiently or otherwise—for an arrival. <mark>I fear we have forgotten how to&nbsp;wait.</mark></p>
 <p><cite><em><a href="https://aworkinglibrary.com/writing/tolerance-for-boredom">Tolerance for boredom</a></em>&nbsp;(<a href="/david/cache/2023/ae079737f65e55da1d7a672b3a685b46/">cache</a>)</cite></p>
 </blockquote>
 <p>C’est l’une des choses que je trouve être la plus difficile à transmettre en tant que parent. Accepter que l’on a du temps devant soi et qu’il est possible et sain de ne «&nbsp;rien faire&nbsp;» pendant une période plus ou moins longue. Ce qui est complexe, c’est cet apprentissage de l’alternance entre des périodes d’activités <em>intentionnelles</em> et celles qui sont induites par ce qui semble être —&nbsp;à première vue&nbsp;— de&nbsp;l’inactivité.</p>
 <p>Compenser de l’hyper-activité par de la sur-activité est une voie qui semble naturelle mais qui ne <em>me</em> parait pas être soutenable et/ou enviable sur du long&nbsp;terme.</p>
 <p>La difficulté vient peut-être du fait qu’il n’est pas facile de montrer l’ennui à partir du moment où la demande d’attention (externe) vient interrompre de fait cette&nbsp;période…</p>
 <hr />
 <p>Pensée du&nbsp;jour&nbsp;:</p>

 <blockquote>
 <p>Ce monde sera plus terne lorsqu’il n’y aura plus de&nbsp;neige.</p>
 </blockquote>
 <hr />

 <blockquote lang="en">
 <p>His wildly popular “Last Child in the Woods: Saving Our Children From Nature-Deficit Disorder” includes evidence that exposure to nature is essential not just to children’s mental and physical health, but to everyone’s. Adults are just as susceptible to a “Vitamin N” deficiency he explains in his more recent “The Nature Principle: Reconnecting with Life in a Virtual Age.” I asked him about my writing-outside&nbsp;theory.</p>
 <p>“It’s likely you find it easier to write outside not only because of nature’s direct impact, but because of the absence of so many distractions, most of them technological.” says Mr. Louv, who also finds his writing better when he does it by a lake or in the woods. “The info-blitzkrieg has spawned a new field called ‘interruption science’ and a newly minted condition: continuous partial attention.” Constant electronic intrusions, he says, leave anyone trying to work frustrated, stressed and certainly less&nbsp;creative.</p>
 <p><cite><em><a href="https://archive.nytimes.com/opinionator.blogs.nytimes.com/2013/09/16/time-to-write-go-outside/">Time to Write? Go Outside</a></em>&nbsp;(<a href="/david/cache/2023/300b9aa899d44f7606a8448991e2acfd/">cache</a>)</cite></p>
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    <a href="/david/2023/01/31/">Ennui</a>, 
    <a href="/david/2023/01/30/">Lecture</a>, 
    <a href="/david/2023/01/26/">Décentralisation</a>, 
    <a href="/david/2023/01/24/">Capot</a>, 
@@ -109,10 +110,10 @@

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    <a href="/david/2023/accompagnement/">#accompagnement (3)</a>, 
    <a href="/david/2023/accompagnement/">#accompagnement (4)</a>, 
    <a href="/david/2023/amadou/">#amadou (1)</a>, 
    <a href="/david/2023/aventure/">#aventure (5)</a>, 
    <a href="/david/2023/complexite/">#complexité (2)</a>, 
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    <a href="/david/2023/confidentialite/">#confidentialité (2)</a>, 
    <a href="/david/2023/courage/">#courage (7)</a>, 
@@ -126,6 +127,7 @@
    <a href="/david/2023/livre/">#livre (1)</a>, 
    <a href="/david/2023/masque/">#masque (1)</a>, 
    <a href="/david/2023/mastodon/">#mastodon (1)</a>, 
    <a href="/david/2023/parentalite/">#parentalité (1)</a>, 
    <a href="/david/2023/partage/">#partage (1)</a>, 
    <a href="/david/2023/patriarcat/">#patriarcat (1)</a>, 
    <a href="/david/2023/photographie/">#photographie (1)</a>, 
--- a/david/log/index.xml
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        <uri>https://larlet.fr/david/</uri>
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        <entry xml:lang="fr">
            <title type="html">Ennui</title>
            <link href="https://larlet.fr/david/2023/01/31/" rel="alternate" type="text/html" />
            <updated>2023-01-31T12:00:00+01:00</updated>
            <id>https://larlet.fr/david/2023/01/31/</id>
            <summary type="html">

 &lt;blockquote lang=&quot;en&quot;&gt;
 &lt;p&gt;There’s a quote from a writer that has rattled around in my head for years (although I have never been able to source it, leading me to wonder if I accidentally made it up), but it went something like, “I only need a half hour a day to write. But I have to wait around an awful long time for that half hour to show up.” I think about this all the time—that the actual amount of time spent in doing something creative (writing, designing, making music, whathaveyou) is often buffered by hours and hours on either side by real—sometimes pleasant, sometimes&amp;nbsp;infuriating—boredom.&lt;/p&gt;
 &lt;p&gt;[…] That is, not merely an absence of doing, but a not-doing so complete it doesn’t stimulate, and it doesn’t heal. It merely waits—patiently or otherwise—for an arrival. &lt;mark&gt;I fear we have forgotten how to&amp;nbsp;wait.&lt;/mark&gt;&lt;/p&gt;
 &lt;p&gt;&lt;cite&gt;&lt;em&gt;&lt;a href=&quot;https://aworkinglibrary.com/writing/tolerance-for-boredom&quot;&gt;Tolerance for boredom&lt;/a&gt;&lt;/em&gt;&amp;nbsp;(&lt;a href=&quot;https://larlet.fr/david/cache/2023/ae079737f65e55da1d7a672b3a685b46/&quot;&gt;cache&lt;/a&gt;)&lt;/cite&gt;&lt;/p&gt;
 &lt;/blockquote&gt;
 &lt;p&gt;C’est l’une des choses que je trouve être la plus difficile à transmettre en tant que parent. Accepter que l’on a du temps devant soi et qu’il est possible et sain de ne «&amp;nbsp;rien faire&amp;nbsp;» pendant une période plus ou moins longue. Ce qui est complexe, c’est cet apprentissage de l’alternance entre des périodes d’activités &lt;em&gt;intentionnelles&lt;/em&gt; et celles qui sont induites par ce qui semble être —&amp;nbsp;à première vue&amp;nbsp;— de&amp;nbsp;l’inactivité.&lt;/p&gt;
 &lt;p&gt;Compenser de l’hyper-activité par de la sur-activité est une voie qui semble naturelle mais qui ne &lt;em&gt;me&lt;/em&gt; parait pas être soutenable et/ou enviable sur du long&amp;nbsp;terme.&lt;/p&gt;
 &lt;p&gt;La difficulté vient peut-être du fait qu’il n’est pas facile de montrer l’ennui à partir du moment où la demande d’attention (externe) vient interrompre de fait cette&amp;nbsp;période…&lt;/p&gt;
 &lt;hr /&gt;
 &lt;p&gt;Pensée du&amp;nbsp;jour&amp;nbsp;:&lt;/p&gt;

 &lt;blockquote&gt;
 &lt;p&gt;Ce monde sera plus terne lorsqu’il n’y aura plus de&amp;nbsp;neige.&lt;/p&gt;
 &lt;/blockquote&gt;
 &lt;hr /&gt;

 &lt;blockquote lang=&quot;en&quot;&gt;
 &lt;p&gt;His wildly popular “Last Child in the Woods: Saving Our Children From Nature-Deficit Disorder” includes evidence that exposure to nature is essential not just to children’s mental and physical health, but to everyone’s. Adults are just as susceptible to a “Vitamin N” deficiency he explains in his more recent “The Nature Principle: Reconnecting with Life in a Virtual Age.” I asked him about my writing-outside&amp;nbsp;theory.&lt;/p&gt;
 &lt;p&gt;“It’s likely you find it easier to write outside not only because of nature’s direct impact, but because of the absence of so many distractions, most of them technological.” says Mr. Louv, who also finds his writing better when he does it by a lake or in the woods. “The info-blitzkrieg has spawned a new field called ‘interruption science’ and a newly minted condition: continuous partial attention.” Constant electronic intrusions, he says, leave anyone trying to work frustrated, stressed and certainly less&amp;nbsp;creative.&lt;/p&gt;
 &lt;p&gt;&lt;cite&gt;&lt;em&gt;&lt;a href=&quot;https://archive.nytimes.com/opinionator.blogs.nytimes.com/2013/09/16/time-to-write-go-outside/&quot;&gt;Time to Write? Go Outside&lt;/a&gt;&lt;/em&gt;&amp;nbsp;(&lt;a href=&quot;https://larlet.fr/david/cache/2023/300b9aa899d44f7606a8448991e2acfd/&quot;&gt;cache&lt;/a&gt;)&lt;/cite&gt;&lt;/p&gt;
 &lt;/blockquote&gt;
 &lt;nav&gt;&lt;p&gt;&lt;a href=&quot;https://larlet.fr/david/2023/accompagnement/&quot;&gt;#accompagnement&lt;/a&gt; &lt;a href=&quot;https://larlet.fr/david/2023/complexite/&quot;&gt;#complexité&lt;/a&gt; &lt;a href=&quot;https://larlet.fr/david/2023/parentalite/&quot;&gt;#parentalité&lt;/a&gt;&lt;/p&gt;&lt;/nav&gt;&lt;hr/&gt;&lt;p&gt;&lt;a href=&quot;mailto:david@larlet.fr&quot;&gt;Réagir ?&lt;/a&gt;&lt;/p&gt;</summary>
        </entry>
    
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            <link href="https://larlet.fr/david/2023/01/30/" rel="alternate" type="text/html" />
--- a/david/recherche/index.html
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@@ -231,6 +231,12 @@
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    "url": "/david/2023/01/31/",
    "date": "2023-01-31",
    "content": "There\u2019s a quote from a writer that has rattled around in my head for years (although I have never been able to source it, leading me to wonder if I accidentally made it up), but it went something like, \u201cI only need a half hour a day to write. But I have to wait around an awful long time for that half hour to show up.\u201d I think about this all the time\u2014that the actual amount of time spent in doing something creative (writing, designing, making music, whathaveyou) is often buffered by hours and hours on either side by real\u2014sometimes pleasant, sometimes\u00a0infuriating\u2014boredom. [\u2026] That is, not merely an absence of doing, but a not-doing so complete it doesn\u2019t stimulate, and it doesn\u2019t heal. It merely waits\u2014patiently or otherwise\u2014for an arrival. I fear we have forgotten how to\u00a0wait. Tolerance for boredom  C\u2019est l\u2019une des choses que je trouve \u00eatre la plus difficile \u00e0 transmettre en tant que parent. Accepter que l\u2019on a du temps devant soi et qu\u2019il est possible et sain de ne \u00ab\u00a0rien faire\u00a0\u00bb pendant une p\u00e9riode plus ou moins longue. Ce qui est complexe, c\u2019est cet apprentissage de l\u2019alternance entre des p\u00e9riodes d\u2019activit\u00e9s intentionnelles et celles qui sont induites par ce qui semble \u00eatre \u2014\u00a0\u00e0 premi\u00e8re vue\u00a0\u2014 de\u00a0l\u2019inactivit\u00e9. Compenser de l\u2019hyper-activit\u00e9 par de la sur-activit\u00e9 est une voie qui semble naturelle mais qui ne me parait pas \u00eatre soutenable et/ou enviable sur du long\u00a0terme. La difficult\u00e9 vient peut-\u00eatre du fait qu\u2019il n\u2019est pas facile de montrer l\u2019ennui \u00e0 partir du moment o\u00f9 la demande d\u2019attention (externe) vient interrompre de fait cette\u00a0p\u00e9riode\u2026 Pens\u00e9e du\u00a0jour\u00a0: Ce monde sera plus terne lorsqu\u2019il n\u2019y aura plus de\u00a0neige. His wildly popular \u201cLast Child in the Woods: Saving Our Children From Nature-Deficit Disorder\u201d includes evidence that exposure to nature is essential not just to children\u2019s mental and physical health, but to everyone\u2019s. Adults are just as susceptible to a \u201cVitamin N\u201d deficiency he explains in his more recent \u201cThe Nature Principle: Reconnecting with Life in a Virtual Age.\u201d I asked him about my writing-outside\u00a0theory. \u201cIt\u2019s likely you find it easier to write outside not only because of nature\u2019s direct impact, but because of the absence of so many distractions, most of them technological.\u201d says Mr. Louv, who also finds his writing better when he does it by a lake or in the woods. \u201cThe info-blitzkrieg has spawned a new field called \u2018interruption science\u2019 and a newly minted condition: continuous partial attention.\u201d Constant electronic intrusions, he says, leave anyone trying to work frustrated, stressed and certainly less\u00a0creative. Time to Write? Go Outside "
  },
  {
    "title": "Lecture",
    "url": "/david/2023/01/30/",