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<h1>Trending</h1>
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<blockquote lang="en">
<p>The point of Twitter’s Trending Topics is ostensibly to surface significant news and Twitter commentary and invite others to ‘join the conversation.’ Left unsaid, of course, is that ‘the conversation’ at scale is complete garbage — an incomprehensible number of voices lecturing past each other. It didn’t matter how Hunt had intended the argument — whether it was cheeky fun or part of a high-minded indictment of the sci-fi horror industrial complex — it was amplified by others as ammunition to make whatever convenient point that interested parties wanted to make. As Ryan Broderick, who chronicles the internet in his excellent newsletter, Garbage Day, noted during the incident, <mark>“is this really how a website should function?”</mark></p>
<p><cite><em><a href="https://warzel.substack.com/p/its-not-cancel-culture-its-a-platform">“It’s Not Cancel Culture - It’s A Platform Failure.”</a></em> (<a href="/david/cache/2021/bd15d74042626a6a1087ea5f32d22656/">cache</a>)</cite></p>
</blockquote>
<p>On en revient à cette notion de passage à l’échelle et d’<a href="/david/blog/2012/opinion-audience/">audience</a>. Et de notre acceptation d’une telle dépendance. Une forme de grégarité numérique en quelque sorte qui nous empêche d’explorer les autres champs des possibles.</p>
<p>Si vous êtes sur Twitter, peut-être que vous pourriez envisager un <a href="https://laurakalbag.com/write-only-twitter/">usage en écriture seule</a> (<a href="/david/cache/2021/1fdec7eb6b2c3d889cbd789de3fb1d1d/">cache</a>)&#8239;?</p>

<blockquote>
<p>Préférer continuer de tolérer les instances d’appels à la mort, fussent-elles figuratives, sur des personnalités que l’on qualifie de publiques au seul moyen d’assertions calculatoires toujours possiblement mouvantes est une <mark>hypocrisie fondamentale</mark>, structurelle qui enferme le pilotage stratégique de ces systèmes sociaux dans la cage de leurs architectures techniques toxiques.</p>
<p><cite><em><a href="https://www.affordance.info/mon_weblog/2021/03/mort-figurative.html">La mort figurative vous va si bien.</a></em> (<a href="/david/cache/2021/0acb9b97e82885d127fefb8266875754/">cache</a>)</cite></p>
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<h2><a href="/david/2021/04/13/">Nonnes</a> (2021-04-13)</h2>
<h2><a href="/david/2021/04/14/">Trending</a> (2021-04-14)</h2>
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# Trending

> [en] The point of Twitter’s Trending Topics is ostensibly to surface significant news and Twitter commentary and invite others to ‘join the conversation.’ Left unsaid, of course, is that ‘the conversation’ at scale is complete garbage — an incomprehensible number of voices lecturing past each other. It didn’t matter how Hunt had intended the argument — whether it was cheeky fun or part of a high-minded indictment of the sci-fi horror industrial complex — it was amplified by others as ammunition to make whatever convenient point that interested parties wanted to make. As Ryan Broderick, who chronicles the internet in his excellent newsletter, Garbage Day, noted during the incident, ==“is this really how a website should function?”==
>
> <cite>*[“It’s Not Cancel Culture - It’s A Platform Failure.”](https://warzel.substack.com/p/its-not-cancel-culture-its-a-platform)* ([cache](/david/cache/2021/bd15d74042626a6a1087ea5f32d22656/))</cite>

On en revient à cette notion de passage à l’échelle et d’[audience](/david/blog/2012/opinion-audience/). Et de notre acceptation d’une telle dépendance. Une forme de grégarité numérique en quelque sorte qui nous empêche d’explorer les autres champs des possibles.

Si vous êtes sur Twitter, peut-être que vous pourriez envisager un [usage en écriture seule](https://laurakalbag.com/write-only-twitter/) ([cache](/david/cache/2021/1fdec7eb6b2c3d889cbd789de3fb1d1d/)) ?

> Préférer continuer de tolérer les instances d’appels à la mort, fussent-elles figuratives, sur des personnalités que l’on qualifie de publiques au seul moyen d’assertions calculatoires toujours possiblement mouvantes est une ==hypocrisie fondamentale==, structurelle qui enferme le pilotage stratégique de ces systèmes sociaux dans la cage de leurs architectures techniques toxiques.
>
> <cite>*[La mort figurative vous va si bien.](https://www.affordance.info/mon_weblog/2021/03/mort-figurative.html)* ([cache](/david/cache/2021/0acb9b97e82885d127fefb8266875754/))</cite>


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<li><a href="/david/2021/04/14/">Trending</a> (2021-04-14)</li>
<li><a href="/david/2021/04/13/">Nonnes</a> (2021-04-13)</li>
<li><a href="/david/2021/04/12/">Alcool</a> (2021-04-12)</li>

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<link href="https://larlet.fr/david/" rel="alternate" type="text/html" />
<link href="https://larlet.fr/david/log/" rel="self" />
<id>https://larlet.fr/david/</id>
<updated>2021-04-20T12:00:00+01:00</updated>
<updated>2021-04-21T12:00:00+01:00</updated>
<author>
<name>David Larlet</name>
<uri>https://larlet.fr/david/</uri>
</author>
<rights>Copyright (c) 2004-2021, David Larlet</rights>
<entry xml:lang="fr">
<title>Trending</title>
<link href="https://larlet.fr/david/2021/04/14/" rel="alternate" type="text/html" />
<updated>2021-04-14T12:00:00+01:00</updated>
<id>https://larlet.fr/david/2021/04/14/</id>
<summary type="html">

&lt;blockquote lang=&quot;en&quot;&gt;
&lt;p&gt;The point of Twitter’s Trending Topics is ostensibly to surface significant news and Twitter commentary and invite others to ‘join the conversation.’ Left unsaid, of course, is that ‘the conversation’ at scale is complete garbage — an incomprehensible number of voices lecturing past each other. It didn’t matter how Hunt had intended the argument — whether it was cheeky fun or part of a high-minded indictment of the sci-fi horror industrial complex — it was amplified by others as ammunition to make whatever convenient point that interested parties wanted to make. As Ryan Broderick, who chronicles the internet in his excellent newsletter, Garbage Day, noted during the incident, &lt;mark&gt;“is this really how a website should function?”&lt;/mark&gt;&lt;/p&gt;
&lt;p&gt;&lt;cite&gt;&lt;em&gt;&lt;a href=&quot;https://warzel.substack.com/p/its-not-cancel-culture-its-a-platform&quot;&gt;“It’s Not Cancel Culture - It’s A Platform Failure.”&lt;/a&gt;&lt;/em&gt; (&lt;a href=&quot;https://larlet.fr/david/cache/2021/bd15d74042626a6a1087ea5f32d22656/&quot;&gt;cache&lt;/a&gt;)&lt;/cite&gt;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;On en revient à cette notion de passage à l’échelle et d’&lt;a href=&quot;https://larlet.fr/david/blog/2012/opinion-audience/&quot;&gt;audience&lt;/a&gt;. Et de notre acceptation d’une telle dépendance. Une forme de grégarité numérique en quelque sorte qui nous empêche d’explorer les autres champs des possibles.&lt;/p&gt;
&lt;p&gt;Si vous êtes sur Twitter, peut-être que vous pourriez envisager un &lt;a href=&quot;https://laurakalbag.com/write-only-twitter/&quot;&gt;usage en écriture seule&lt;/a&gt; (&lt;a href=&quot;https://larlet.fr/david/cache/2021/1fdec7eb6b2c3d889cbd789de3fb1d1d/&quot;&gt;cache&lt;/a&gt;)&amp;#8239;?&lt;/p&gt;

&lt;blockquote&gt;
&lt;p&gt;Préférer continuer de tolérer les instances d’appels à la mort, fussent-elles figuratives, sur des personnalités que l’on qualifie de publiques au seul moyen d’assertions calculatoires toujours possiblement mouvantes est une &lt;mark&gt;hypocrisie fondamentale&lt;/mark&gt;, structurelle qui enferme le pilotage stratégique de ces systèmes sociaux dans la cage de leurs architectures techniques toxiques.&lt;/p&gt;
&lt;p&gt;&lt;cite&gt;&lt;em&gt;&lt;a href=&quot;https://www.affordance.info/mon_weblog/2021/03/mort-figurative.html&quot;&gt;La mort figurative vous va si bien.&lt;/a&gt;&lt;/em&gt; (&lt;a href=&quot;https://larlet.fr/david/cache/2021/0acb9b97e82885d127fefb8266875754/&quot;&gt;cache&lt;/a&gt;)&lt;/cite&gt;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;hr/&gt;&lt;p&gt;&lt;a href=&quot;mailto:david@larlet.fr&quot;&gt;Réagir ?&lt;/a&gt;&lt;/p&gt;</summary>
</entry>
<entry xml:lang="fr">
<title>Nonnes</title>
<link href="https://larlet.fr/david/2021/04/13/" rel="alternate" type="text/html" />

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